I LOVE Car2GO

After 5 years of trying to make Austin into Brooklyn regarding transportation and walking I have finally succumbed.  Getting to auditions, films, classes and more I sometimes need wheels when Abe has the car for work.  So I should really really have been using this form of transportation.  Right?  The company brought my first born here from D.C. to spread the word around the country and Canada and that he has done.  But Mama never used it thinking she could do with her feet and the cheap bus ride.  Well today I am on board.  Got to Cine Las Americas and back with plenty of time to study lines and cook for Abe. Thank-you Car 2 Go.  I am sold!

SXSW 2014 It's a Wrap

We ended this year's film festival with an Australian film THE MULE.  Based on a true story it's about a man with high ethical standards regarding friendship who gets manipulated into swallowing a shitload of balloons containing heroin.  He's detained by Immigration in Australia, refuses medical treatment in a hospital and spends ten days in a hotel room while mean and sadistic cops try to get him to empty his bowels.  There's humor, violence, gross footage of his attempts to hold on and some very authentic acting.  Everyone I spoke to enjoyed this film.

So this festival does for me what it does every year.  I see some good films, some bad films, talk to intelligent and not so intelligent people.  Am reminded how much I enjoy UT RTF students and their keen minds and am once again reminded of the community of film lovers, actors, and filmmakers that I have found in Austin!

SXSW Day#8

Pulling into home stretch.  Today was a NIGHT IN OLD MEXICO with Robert Duvall as a cantankerous old rancher refusing to be put down.  Nice to see acting coach CK Mc Farland on screen with a moustache! I loved Duvall's performance in this.  Entertaining.

Then a very important documentary VESSELL about a group of women bringing abortion education services to women all over the world on international waters.  Dr. Rebecca Gomperts, a Dutch M.D. is one of the bravest woman warriors I have ever encountered.

Finally we saw TWO STEP, a Texas thriller directed by a Brooklynite.  You'd never guess.  Casting was superb!

Beginning to fade.

SXSW Day #7

The Shorts Program #3 were crappy.  No need to discuss.  Just crappy immature and amateurish films with a supernatural theme.

PATRICK'S DAY written and directed by Terrence McMahon about a schizophrenic young man who falls in love for the first time is well made, beautifully acted and intelligent in its treatment of mental illneass.  A mother's obsessive love for her son interferes with any possibility for him to have an intimate relationship.  Well acted by Moe Dunford, his first feature length film.

ANIMALS, written by and starring David Dastmalchian is deserving of all the accolades its been receiving.  A couple addicted to heroin spend their days conning, lying, cheating to chase their fix.  The film is well acted and realistic in its presentation of their increasingly dreadful lives.  One of the finest narrative films I have seen at SXSW.

Sadness in the air and in my heart all day.  A tragic and senseless act of vehicular rampage has altered the lives of many in Austin.  Hard to watch so many festive and frolicking young folks as I walked back over the river without being reminded of the early a.m. incident.  Happy to stay on the south side of the river tomorrow at ZACH.

SXSW Day#6

This a.m. was shorts Program#4.   Foreign made stories of youth coming of age with pinches and bites. Unusual characters and unusual stories.  In addition an honest view of women preparing for their friend's marriage.  A silly bridal shower turns real when one of the guests decides to tell the bride about her future husband's escapades.  With one of them!!!  With all the friends providing apts for the cheating fiancee and cheating friend to get it on.  A truthful view of what happens in people's lives when they join in to the silliness required by these staged events.  Hopefully a message has been told here.

We did not get in to HELLION!!

SXSW Day #5

Music is in the house bringing multitudes of skinny boys in black spandex jeans.

The first film of the day was KUMIKO: TREASURE HUNTER brought to us by the Zellner brothers. Rinko Kikuchi is exquisite as the strange emotionally challenged woman who comes to the States looking for treasure in bumble fuck Fargo.  A beautifully shot film, an incredible lead actor and a surprise ending.  An art film in the classic sense.

THE INTERNET'S OWN BOY: AARON SWARTZ broke my heart.  A young suicide being hunted by the Feds for his desire to make information public.  Without a fee.  A brilliant mind who wanted to help the world and saw himself as a political being.  How shameful that our government went after this young man.  What a loss.

Been walking to the films from home  Getting tired.

SXSW Day #4

Oh the day began with Steve Mims' ARLO AND JULIE.  An adorable film with local actors and a UT RTF professor as writer/director.  It was a pleasure watching Austin actors on the big screen and seeing so many of us in the audience to support them and each other. A delightful experience!

Tonight was Diego Luna's CESAR CHAVEZ starring Michael Pena.  A wonderful film about the extraordinary man who led a non violent protest of 5 years working to obtain fair treatment for farm workers.An extraordinary reminder of the cruelty to migrant workers when our own comfort is so expected.
We stopped buying grapes and this was the outcome.  A union!

Talking with other actors, visitors waiting on line, and UT RTF students is what makes this festival so special. Austin you rock!  Tonight that is.

SXSW Day#3

Waited on line for a long time and got in to see the much anticipated BOYHOOD by Richard Linklater.  I am convinced I am the only person in the theater and on the streets of Austin who did not care for this film.  I found the story to be boring.  I did not find the family, the challenges they faced or their responses to be interesting or engaging.  I could not grasp the excitement that buzzed all around me about this film. People were  gushing about sets and music and design being truthful to the years as the actors grew in time. Good films are always truthful to the era they depict even as the era changes. I kept waiting to get pinched, for something to occur to make me care about these people. I felt it was a love affair with Texas and many of the challenges and stories that women and kids feel growing up in Texas.  I think it's a regional film and don't see it as having a universal appeal.

This evening we did not get into the cult film FAULTS but were absolutely delighted by Mike Myers well made documentary  The SUPERMENSCH about the talent  manager of stars Shep Gordon.  A human, humorous and honest portrayal of this man's journey to success as well as his lifelong personal challenges.  The Q&A with Myers, Gordon, and Tom Arnold was heartwarming and fun!

SXSW Day#2

It's rainy and cold to walk over the bridge and wait on line but man oh man NO NO: A DOCKUMENTARY was well worth it.  A beautifully filmed and edited documentary about Dock Ellis an extraordinary man who really made his mark.  As a drug and alcohol addled professional pitcher who pitched a no hitter while tripping on LSD we learn about his unbridled and uninhibited personality. His stylish wild pushing the card antics. His refusal to be leashed by the contemporary norms of the 60's.  But after his life came tumbling down and he lost two marriages to his substance abuse and violent outbursts he got himself into rehab and shared his wisdom with so many young men on the road to recovery. This was a beautiful man who died at the age of 63.  His work with addicts and prisoners makes his no hitter pale in comparison.  This is an Austin produced film well worth major distribution.
Documentary Shorts 1 provided a favorite short: KEHINDE WILEY: AN ECONOMY OF GRACE  about a painter who creates stunning portraits of inner city black women in classical poses with the help of a Givenchy creative designer for wardrobe.  A beautiful film!
PREDESTINATION with Ethan Hawke was confusing and annoying.  Q&A however with the Spiereg twins and Mr. Hawke was enjoyable.
Early a.m. I will solo to BOYHOOD.  Maybe I'll get in?  Clocks ahead.

SXSW Day #1

Sooooooo. we waited on line for an hour and a half and did not get into THE CHEF at the Paramount.  But have no fear with our film passes we ran right next door to the Stateside and saw a delightful comedy TAKE CARE written and directed by a first time filmmaker Liz Tuccilo. A truthful narrative about life in NYC when you live in a 4 story walk-up and are incapacitated following a car accident.  Where you were hit by a car!  The Q&A with crew and Thomas Sadoski (NEWSROOM), Nadia Dajani, et al was delightful.  We then ran over to The Convention Center where we finally got our wristbands, ran into Laura Galt Snavely, and saw a documentary about the infamous drug lord El Chapo. LEGEND OF SHORTY is living proof of the risks documentarian filmmakers take when they select to tell the truth about scary subjects.  An informative and humbling Q&A followed reminding us of the courage of these filmmakers.
As always running into filmmakers, film lovers and actors I've worked with at UT is a wonderful part of this film festival for me.

Tomorrow in the evening I bow to my husband's love of vampire and the supernatural.
In the a.m. of course we'll be on line for NO NO: A DOCKUMENTARY.  Supporting Austin filmmakers.

Leaving MOMMY

I inhabited a woman who brought me to the dark side for 6 weeks.  It was painful and uncomfortable.  I forced myself to feel her pain, desperation, and anger.  It's taking me some time to shed her skin.  Was it fun?  No.  Was it rewarding? Yes.  Did I help people  further understand how complex the human condition is?  I hope so.  Did I help people understand that motherhood can be very complex and dark?  Did I help people see that you can really screw up as a mother?  This is what I wanted to achieve.

If you spend your life living with dark characters who regularly bring you to your pain and wounds then heroin may be a choice of relief.  I get that.  I will miss you Philip Seymour Hoffman, terribly.

ARVIND/MOMMY #2

When I walked into the UT Lab theater last night for rehearsal there was something new.  Electrifying energy with lots of crew, cameras, staging. Arvind in command on stage directing people, consulting, and a complete cast!  We ran the play twice learning blocking, transition, rhythm and rhyme, how to be with one another, and I came away feeling so good about this production.  The chemistry between this ensemble of actors felt so right, so authentic.  Everyone took direction from Arvind with serious thought and reflection, changing what he asked.  If I had questions I always asked and never ever felt like I was bothersome.  I loved giving back story to new actors who weren't quite sure about the facts. This is truly one of the most exciting and interesting collaborative efforts I have been involved in since beginning to work with actors at UT.  I am so grateful that 3 of the lead actors are students of Laurel Vouvray.  The  actors who have been trained not to act bring this production the authenticity that it deserves.  I will always remember my experience with a 16y.o. writer/director as one of the most important experiences in my journey to becoming an actor.

ARVIND/MOMMY

I attended an unusual audition some time ago at UT.  I signed a waiver informing me my audition would be taped.  And then I auditioned for a theater performance written by a 16 y.o. And present at my audition was a bunch of teenagers while an award winning documentary filmmaker was far away filming the entire event.  I came prepared for the part of the grandmother but the playwright/director asked me to read for the mother...his mother.  He told me to throw away the script and say the lines as I remembered.  How refreshing!
I loved the audition, was busy with other projects and figured I'd show up in the doc as an actor auditioning.  But that was not the case.  Weeks later I was cast by Arvind Hathaway to play the role of Susan, his mother, in his play MOMMY.  Little did I know how extraordinary this project would become.  Evan Roberts is a wonderfully warm, talented and intelligent filmmaker.  He cares deeply about the issues and conflicts young people face. He just helps people become.  That's the best way I can put it.  And Arvind???  When you can get over the challenges of his adolescence he is one creative, intelligent and sensitive director.  I just love love love working on this project.  It has allowed me to explore the human condition broadly, empathetically, deeply.  It has changed me.  How grateful I am.